I have already written about the Girl with the Dragon Tattoo and how exciting and page turning it is. I intended to write separate reviews for the Girl who Played with Fire and the Girl who Kicked the Hornets but decided not to. Instead I will review the second two books and assume you have read my previous review, and kind of wrap the whole thing up as a review of the trilogy.
This is partly because I am a complex character who doesn’t play by the rules. Mostly though, it is because the second two books follow on from each other in one big exciting story, using characters you know and love from the first one, which stands slightly separate.
A bit like the original Star Wars Trilogy, in other words.
The Girl with the Dragon Tattoo
The Girl who Played with Fire
The Girl Who Played with Fire
The book starts with strangely-sexy-but-probably-not-someone-you’d-like-to-date Lisbeth Salander, who is on holiday. Following an incident on this holiday (which is utterly unrelated to anything else in the book and reads as a kind of ‘Adventures of Salander’ episode), she returns to Sweden. She is soon accused of multiple murder and goes on the run. Mikael Blomqvist (who shagged her for a bit in the first book), decides she is innocent and sets about saving her. Enter a mysterious man known as ‘Zalachenko’ and another mysterious man who is huge and a psycho and a bit like a Bond villain. Then enter excitement.
This book is superb. And I speak as someone who doesn’t read many thrillers. There are several superb scenes that have stuck with me until now and the book is annoyingly unputdownable. I looked forward to tube journeys so I could read, it was that exciting. It builds inexorably to a finale that’s brilliant and extreme. An ending that in my opinion is the best of the Millennium Trilogy, but I’m sure others might disagree.
The Girl Who Kicked the Hornets’ Nest
Yup. The girl who kicked the metaphorical hornets’ nest is Lisbeth Salander. Actually, she kicked nest in the previous book and is now swiping at the hornets to stop being stung. But that probably didn’t sound as good to the publishers. In the third instalment of the Millennium Trilogy there is also a group of hornets who are secret hornets but are still connected to the original kicked nest. So to speak.
I will end the kicking hornets’ nests analogy now.
Basically, Salander is in a different kind of shit from the second book but things are still pretty hectic for her. Plus there are some new baddies.
This book carries on from the second one and has some similar awesomely thrilling moments. It’s hard to write about it too much without giving away story lines from book two. So I won’t.
As I mentioned before, I don’t read that many thrillers. I was thrilled by this and it may have ruined me for others. The story is genuinely gripping and you will find yourself spending hours reading and generally delaying your life until you have finished. The characters are superb, unique and memorable. The story is well plotted with about a million threads all tying up nicely.
I only have a few criticisms.
Characters – I’m sorry but there are too bloody many of them. If you don’t read all the books fairly soon after each other, it is possible you will get confused at parts. A few could easily have been cut out or consolidated.
There are also a few moments where situations feel a bit contrived or irrelevant. Some plot arcs have nothing to do with the main story at all and at other times there are a few chance sightings of people that happen a bit too frequently. It’s possible that this is common in thriller novels or in Stockholm, so I’ll shut up.
These niggles aside, the Millennium Trilogy is superb. It’s such a loss that Steig Larsson died just after finishing them as I would love to have read more.
If you are unconvinced and doubtful because of my tiny gripes, don’t be. One reason that I didn’t review the second book after reading it was because the moment it ended, I started on the third. And read it in two days. So did my wife.
Now that’s pretty gripping.