The exhibition comprises over 300 pieces of art, sculpture, anthropological pieces, and more. I’m no expert but I thought it was brilliantly curated. Great lighting, well presented, and er, other curatorial goodness. The first room is full of art relating to death with lots of ‘Memento Mori’ – which is Latin for ‘Remember your mortality’ or ‘Remember your going to die’ (I did 5 years of Latin at school and it just paid off). Then things diverse into skulls, masks, models, pictures, and even cool things like a bone candelabra. It’s downright fascinating.
I would have liked a bit more anthropology however. There were some really cool masks and statues but they were so interesting I wanted a few more. It is a minor quibble though.
Here are some photos to give you an idea of just quite how much Death is on display:
Death: A self-portrait is on at the Wellcome collection until the 24th of February. It is well worth a visit and like all exhibitions at the superb Wellcome collection, it is free. So if you’re in London, check it out.
Here is a video about it:
The Wellcome collection is at 183 Euston Road, London (opposite the main entrance to Euston).
For more info, click this link. Death: A self portrait.
I saw this exhibition yesterday at the National Maritime Museum in Greenwich (London). It was downright awe inspiring. Alongside Cartier Bresson, Adams is probably my favorite photographer in equal first place. I guess I’m a sucker for black and white photos.
Ansel Adams is best known for his stunningly detailed photographs of American landscapes. In particular Yosemite National Park, Lake Tahoe, Death Valley, and the Californian coast. He does do smaller more intimate pictures but my favorites are his huge and epic pieces. You can see a few at the the bottom of this post but quite frankly, the only way to do justice to his work is to see it on a larger scale. Which means you should go and see this exhibition if you happen to be in London. I have been a fan of Ansel Adams since I was a kid and this is a worthwhile exhibition with a variety of examples of his work – from the small and intimate to the large and epic. There are also a couple of interesting documentaries.
ANSEL ADAMS Photography from the Mountains to the Sea is on at the National Maritime Museum (which is fascinating anyway) from 9th November 2012 to 28th April 2013.
As promised here are some bigger pictures. Imagine them even bigger.
London is one of the world’s great art centres. Lots of art fans are currently descending on the city from all over the globe to take part in or see the colossal Frieze art fair. This is a great event but visitors should know that there is a lot more to see. Most of London’s established art scene is in the West, North or middle of the city but huge amounts of exciting new stuff is coming out of the East. An area of hip and trendy struggling artists, writers, musicians and unemployed.
In the depths of East London there is a mini hub for all this emerging art called Vyner street. The first Thursday of every month there is a bit of a party with the collection of galleries that line the street opening late to admit lots of excited and slightly inebriated art fans. It’s good fun and cultural to boot.
Of particular interest is an exhibition of Thai modern art called Origin-Originality at Forty7 Gallery, 47 Mowlem Street (Off Vyner St). You don’t get much Thai modern art in the West, so this is an ideal opportunity to see some and buy some. It will be worth millions soon. One of the artists has already featured in a Christie’s Auction, so you’d better get in quick as Southeastern Asian art is very ‘in’ right now. This exhibition looks great, the art is intriguing and the whole thing is on from the 4th-14th October. It is curated by the superb Nim Niyomsin. If you are here for the Frieze art fair or just like art generally, you should check the area out. It’s where it’s at.
Here is a link that will tell you all you need to know about the background to the exhibition, the artists involved, and where all the excitement will be happening. http://www.origin-originality.blogspot.co.uk/ There is also info at the bottom of this page.
Here is some of the art:
Here are some details:
About First Thursdays and the area including Gallery Forty7:
Everyone loves a good Apocalypse and everyone seems to love John Martin’s work. I certainly did.
John Martin was hugely popular in the 19th Century and toured the world with his spectacular paintings of the end of the world and scenes from the bible of God smiting the shit out of everything. Obviously most of the paintings come from the Old Testament when God was going through his ‘angry phase’ and regularly destroyed cities and drowned the whole planet. Fortunately he chilled out a bit after that and started banging on about being meek and merciful as if all the mass destruction had never even happened.
Martin’s work focuses on these more exciting bits of the bible along with other scenes such as debauched feasts and epic battles. Man, the bible went downhill in the second half (apart from the epic destructive end scenes, but it was too little too late to save the book in my opinion).
At the time, plebeian Victorians flocked in their thousands to see the huge and exciting pieces of work. They were the blockbuster cinema equivalent of the time (it was boring back then, hence all the warfare and Empire building). Of course the intelligensia of the day slagged off Martin’s work as being distasteful and dubbed him the ‘people’s painter’. Intellectuals hate stuff that gets too popular and John Martin was the Michael Bay of his time. The main difference is that Martin is now seen as being ahead of his time, whereas I suspect Bay won’t be.
John Martin: Apocalypse
is well worth seeing. I loved it. There’s an added bonus near the end where a load of arty actors have done a voice over for a sort of mock up of the sensationalism that surrounded his tours. This consists of a triptych of pictures (three paintings in case you’re an oik) with lights and cool effects. The left picture is of heaven and has cherubs lolling around fatly and pointlessly. The centre has Jesus being judgemental and condemning half the population to eternal torture. The painting on the right is of hell and collapse and general coolness. This is accompanied by the actors recreating the sort of cinematic voice-over sensationalism that was used to publicise his work. ‘SEE THE DAMNED CONDEMNED TO THE FIERY PITS OF HELL’ sort of thing. It was brilliant.
As I said, I loved it and so did everyone I was with. It’s on at Tate Britain until mid-January, so you have plenty of time.
Bizarrely, here’s a trailer:
Last week myself and Mrs wordofward went to the mysterious sounding ‘Secret Cinema’. We were invited by our hip and trendy friends who took us to Shunt. It’s not just a cinema event, it is primarily an art event happening experience thing. Which are always fun.
We were told to wait outside Wapping tube stop dressed as if it were the 40s. In case you don’t know London, Wapping is a bit of a shithole. It’s lucky that it wasn’t the forties as the whole area was pretty much wiped out in world war two and rebuilt in the architectural style known as ‘characterless’. In case the gathered crowds got too rowdy, a few policemen turned up in 1940s police outfits. One even had a moustache which is as authentic as you can get.
We arrived and lurked around the pavement with lots of other people dressed vaguely 40s-ish (although some were distinctly late 1930s, the amateurs). At precisely 6:30 there was suddenly loud chanting approaching us from a side street. A load of people in period clothing arrived chanting ‘Freedom to create!’ and carried banners saying the same. People in the crowd joined in this plea to be free to create. This confused me a bit because I thought we were free to create in this country. Unless I missed a meeting or something. I’m pretty sure there are art galleries everywhere and London is one of the art and culture centres of the world. But hey, what do I know? Let us be free to create you fascists! Yeah!
We followed these chanters to a large warehouse known as Tobacco dock. Here we joined a huge long queue. We were entertained throughout though as a load of actors in character wandered around chatting with us. A nice lady asked us our names to check if we were on the list. We weren’t just on the list, we were on the elite list. Our friends had a display/installation at the event so we were suddenly in a queue of 10 people as opposed to 900. Consequently we were soon in.
The interior was basically like a large shopping mall with lots of open areas. Instead of shops there were art things and bars. The first room we came across was a bar which sold the classy Stella Artois Black beer. There was also a fellow on the piano and a lady who sang and played the kazoo. We grabbed a couple of pints and headed for culture.
All around us were gents in suits, hats, and moustaches with dames in sexy dresses and those old fashioned stockings with the line up the back of the leg. Which look great. We decided to check out some of the installations and as always with these things, they were a hit and miss affair.
One room was full of paper for some reason. Tons of it, shredded and lining the walls. One room had lots of ballet shoes hanging from the ceiling. As you do.
In another room was a strange man who I think was supposed to be an old time actor. He sat there looking at roses in front of a mirror. Which is what actors do apparently. The freaks. On a similar theme, another room had a lady in it who changed poses while wearing a white dress that had what I think was supposed to be blood around the hem. It was bizarre but it looked good in a photo. As you can see.
There were more rooms with videos and the like going on. Our friend’s room was pretty cool. You stand in front of a large screen and thanks to some computer jiggery pokery the screen interacts with you. For example, the lady on the screen beckons someone forward while holding up a dress. A real person then steps forward and they can see themselves on the screen wearing the dress. There was more to it than that obviously but I’m trying to keep my descriptions quick. Here is our friend Francesco watching a clown in the room:
In addition to all these rooms were open spaces that held performances and sold food. Obviously the food wasn’t that authentic as there was some and it wasn’t rationed. The performances varied from dances to acrobatics to music and were all really well done. One of the highlights was a very limber lady hanging from the ceiling by two lengths of cloth. The music was very tuneful too. There were a lot of actors wandering about and when they weren’t on stage they acted out random scenes among the audience. For example, we saw two guys dressed in ‘old school’ labourers outfits – trousers and vests – being shouted at for being late with the luggage they were carrying. The luggage was ‘old school’ too.
Finally, there were the inevitable screenings of old movies. These vary each event and set the theme for the whole evening. One Secret Cinema event was Lawrence of Arabia and was held in huge tents with kebabs and belly dancers. On our particular night it was the movie ‘Red Shoes’. You know, the one from the 40s.
All in all, it was a superb evening. It changes each time and due to its popularity it rapidly becoming less of a secret. I look forward to future events like this especially if they are Scifi or porn related. That would be a cool but probably a different type of evening. Scifi porn!
I will end with another picture of some random people and then a video of the event that someone kindly created. Thank you Sophie for all the pics.
It turns out the 40s were cool. Apart from the first half. Pip pip stout fellows.
Being the cultural man about town that I am, I went to the Susan Hiller exhibition at Tate Britain yesterday. Actually, it was my wife’s suggestion otherwise I would have just gone to the pub. I’m glad I went though as some bits were awesome.
The exhibition was £11 or £9.50 with concessions. For some reason I was charged £15.50 for the two of us. Work that out.
The first thing we saw was called Recycled Work, which was essentially some bits of cloth made into a book. I’m sure it had a brilliant meaning or something else I missed, but I wasn’t that impressed. Then there were some books where people had written down their dreams. I discovered that not everyone dreams of zombie apocalypse, alien invasion, and lots of naked ladies every night like I do. Which is a shame as it would have been more interesting.
Then there was a bit called Dedicated to Unknown Artists. This was pretty interesting. It was a load of postcards from all over Britain featuring rough seas at various points along the coast. Some of the pictures were pretty cool but I was always under the impression that postcards were a kind of advert for the area. These had full on storms in some of them. It was a good idea though and had an accompanying map.
There were a few other things that were ok, but not great. A series of photos of Hiller’s belly when she was pregnant looked quite interesting due to the way it was presented. There was also a collection of items, literally just random stuff, where I must have missed the point. We then watched a video called Magic Lantern which consisted of a series of coloured circles and some audio recordings of people saying random things.
The rest of the art was pretty cool though.
At some point, Hiller found a forgotten monument in London that mentioned lots of people dying in heroic ways. She took photos of these and displayed them on a wall. Most of them were pretty sad. Things like a ten year old boy who died saving his eight year old brother from drowning, or a guy who saved lots of people from a burning building but then never came out again. It was genuinely quite moving and there is an audio tape too.
In one section there was a mock up of a living room with a TV that showed a picture of fire. Accompanying the fire was a whispered voice that told how in the old days before 24 hour TV (ITV not included – who watches nightscreen??) people heard voices and saw apparitions in the fuzzy picture left after broadcast stopped. Things like John Lennon saying that everything will be ok. Even though the sort of person who stays up watching ‘noise’ is probably prone to hallucinations and bouts of madness anyway, it was still pretty creepy.
Next up was a big room with five screens in it showing clips of psychic chicks from movies like Firestarter and Stalker. As the girls start to levitate things and burn things the soundtrack of drums builds to a crescendo. It was really effective and interesting and made me want to watch Firestarter again.
Another room was pretty creepy. It was dark but had videos playing in two corners – two screens in each corner. The visuals were a repeated and edited video of Punch and Judy, which sounds pretty innocuous. The videos were reddish in hue and the shots were of Punch or Judy beating each other repeatedly with clubs. This was accompanied by screams and aggressive music. It somehow seemed really violent and impressively shocking. Give someone some LSD and they would go mental in about 10 minutes.
Then there were my favorite two rooms.
The first was called The Last Silent Movie. Cunningly, it was almost the opposite of a silent movie. It had audio and subtitles but no video. It was the subject matter that was fascinating though. It was a series of recordings of languages that were either extinct or close to it. They were varied enough to be interesting. Sometimes it was a song, other times a fable or personal story. It was quite sad hearing the last people speak a language. Especially when a caption then appeared saying it was the last speaker and they died 50 years ago. While doing my English degree I studied how languages arise and become formalised and it was moving to think that these were the last utterances and that an entire language was dying.
Then there was the best room of all. It was called Witness. You enter a large blue-lit room that seems to have a load of string or wire hanging down, with some kind of disc attached to the end. In fact, it looked exactly like this:
When you get closer you start to hear a weird whispering noise. A bit like a theatre audience just before a performance as heard from the stage. The discs at the bottom are actually speakers and each one has a recording of someone recounting a UFO encounter. They are in all languages so you soon find yourself wandering among the strands and speakers listening for English (presuming you are an English speaker obviously). There are quite a lot of English ones and the stories are really interesting and I speak as one who believes in alien life but doesn’t think they fly around and probe us. One of the best things though, is the strange sensation of wandering among the voices. You feel like Professor Xavier when he is doing that search thing among humans and you hear lots of snatches of conversation from hundreds of different people. Or that chubby cop guy in Heroes, who can hear people’s thoughts. I’m trying to think of a non geeky example but I can’t. It’s a really cool and fascinating experience.
So, to some up: there are some hits and some misses. Even the misses aren’t too bad and they could just be misses because I am an uncultured oik who missed the point. The majority of the exhibition is really good and thoroughly interesting. I highly recommend it.
The Susan Hiller exhibition is at Tate Britain (nearest tube is Pimlico) and runs until May 15th. It’s worth the money. Whatever they charge.
I saw this the other night and was blown away. I knew it had puppet horses in it but little else.
The play is about a horse called Joey and a farm lad from Devon called Albert. Albert’s drunken dad buys Joey when he is wasted and feeling competitive at an auction. He makes Albert look after the horse and a touching bond soon forms between them. When Joey is then sold by his drunken dad to the army and sent to Belgium as a cavalry horse, Albert gets a little pissed off. He runs away from home and decides to enlist to fight in World War One. In order to find his horse.
The story is ok and provides a backdrop to the main events and effects of the play. As I mentioned, all I knew about this play was that it had puppet horses. Life size puppet horses with people riding around on them galloping over fields or charging at the Hun. They are pretty astounding and the puppeteers do a genius job of bringing them to life. They even have realistically moving ears. There are three people for each horse. Two inside (think pantomime horse) and one moving the head. It’s brilliantly done and you really start to feel affection for the horses, which is doubly well done as I don’t like horses all that much in real life.
There are a couple of other animals too, most notably a humorous goose.
At the back of the theatre is a screen that has animated pencil sketches of backgrounds and animated horses and barbed wire. It is quite simple but it is effective in setting the scene. There are also loud explosions and tweeting birds that help with this too.
The actors were all pretty good but it is the West End of London and tickets were £50, so you kind of expect that. I went with a non-native English speaker and she found it hard to follow some of the accents. It doesn’t really matter all that much though, it’s pretty obvious what is going on.
The story is simple but to be fair it is from a kid’s book, so is hardly going to be like ‘Inception’. It can be a little slow at times but I thought it added to the emotional connection between audience and story, so I’ll let it off.
I loved this play. It was so well done. Apparently Spielberg is going to turn it into a movie but as the most impressive parts of the play were the set and puppets and stuff, I’m not sure how good it will be. He seems fairly competent, maybe it will be like ‘Saving Private Ryan – the equine version.’
If you like spectacular theatre and want to see some amazing puppets, you should definitely give this a go. Here’s a bit about it from channel 4 news to wet your appetite:
Last night I went to a bar/club/theatre/art/performance/thing called Shunt with my wife and some creative friends. It’s a very difficult place to categorize except to say that it’s fucking brilliant. Shunt are a ‘performance collective’ which sounds a bit arty or indeed wanky but it is truly a superb idea and I’m mildly annoyed that no-one has told me about this place before.
I have walked past the entrance a thousand times and never knew what it was. This website now gets over 100 people a day looking at it and I’m not even that sure I want to let you all know where it is but as you can look it up yourself, I suppose I might as well. At least then you can buy me a beer if I’m there. When you come out of London Bridge tube and start walking toward the escalators that lead up to the overland trains, you will see this door. Plus a small queue. There are no signs.
You WILL be asked for ID, which was actually pretty cool as that hasn’t happened to me since I was 17. It costs £10. Once you walk through the unassuming entrance you suddenly find yourself in a colossal underground vault. It is huge and sphincter-tighteningly impressive. From this point, a lot of it is hard to review because here lies the genius of Shunt. Every night different stuff happens in various rooms. First let me describe the space a bit. On entering, you will be faced with a long vaulting corridor with huge, high-ceilinged rooms branching off at either side. Sometimes it looks like this:
Sometimes like this:
Last night it was dark and lit entirely by candles.
In the rooms there can be anything. Bars selling beers and other bars selling cocktails are dotted around, as are cosy corners with small tables or couches or recliner chairs or anything. There is artwork in odd places and random performances from actors or artists or musicians or people who are a bit mental. When we entered we came across a room where a creative looking lady was doing a book/poetry reading to creative looking people. In another room there were comfy chairs and a cinema screen playing old black and white sci fi movies. And they weren’t all Metropolis.
One room held a theatre and there were loads of others with shows going on and interactive arty things.
Every night something different and interesting and random happens here. If you just want to have a quiet drink and soak up the huge cavernous atmosphere there’s plenty of hidey-holes for that too. At one point a guy appeared near us and started performing brilliant songs under a spotlight on his keyboard. He appeared like magic.
Here are some random pictures ruthlessly stolen from the internet of things that have gone on here in the past:
Ok that’s enough. You get the idea. Shunt is a truly unique experience. A good and exciting one. It’s one of those places I always envisioned myself in. On drugs. With Jagger and Bowie.
It got shut down in November so that it could be turned into a load of shops. I hope the tedious peon that came up with that idea died in an hilarious accident worthy of a Darwin Award. Thankfully, it has now opened again but no one seems to know how long for. Hopefully at least another year. So check it out.
Here is a video that shows yet more stuff that has happened in the past. Some of it looks a bit mental but remember you only have to get as involved as you want to. There is a lot of room.
This was a great exhibition. It is essentially about artists who mixed fame and the desire for fame and money with their art. These artists sought out as much publicity as they could and said ‘Balls! I love publicity and money’ to all the purists and critics who claimed they were selling out.
The first room is like a tester or a sample. It contains Jeff Koons’ sculpture of an inflatable rabbit alongside video footage of an actual colossal balloon that he put in the Macy’s thanksgiving parade in New York. There is a video showing an Andy Warhol advert for TDK tapes and there is a human sized sculpture by Takashi Murakami of a manga chick with huge norks spraying out milk.
This is all just for starters.
The next room was dark with some florescent gem paintings by Warhol. This was followed by a room full of Warhol’s celebrity portraits which he did purely for the fame, kudos, and money. He even offered discounts if the celeb in question bought two. There is a bit of multimedia action after this as we are informed that Warhol linked the whole fame and art thing, and that all the Pop Artists that followed were going along with this idea. There more ads and movies and a scene from The Love Boat where the Cunninghams from Happy Days meet Andy Warhol on the Love boat. I kid you not. Talk about fucking surreal. I came away from these rooms with an increased appreciation for what Warhol was trying to achieve. Both as a publicity seeking artist and with ‘the Factory’ where he encouraged struggling New York artists to create work under his guidance. The Warhol rooms show just how influential he really was and the rest of the exhibition reflects this.
Soon after this is a small room where an artist called Richard Prince had a photo of a naked Brooke Shields at the age of ten. It was taken down day one as people complained that it wasn’t exactly art, more of a picture of a naked girl who later got famous. I think the complainers have a point. It was unnecessary. Even though he tried to justify it by giving it the pretentious title of ‘Spiritual America’ and presumably tried to make a point about child celebrity and exploitation (I couldn’t be bothered to read it), it was clearly a case of ‘Ooooh aren’t I shocking and controversial!’ I can’t be bothered with this sort of crap. In its place is a picture of an older Brooke Shields in a bikini. Which was nice but no more art than when I had a similar poster of a chick in a bikini draped across a Ferrari on my wall when I was 14. Perhaps I missed the irony.
Next up was a room where I really started to appreciate all the effort the curators had gone to with this exhibition. The entire room was dedicated to Keith Haring and his unique art. There was 80′s Hip Hop blaring, T’shirts and other merchandise, his art all over the wall, and a fully functioning shop with accompanying bored attendant. I wish I like his art more but the way the room was done really made me appreciate what ‘feeling’ it was that Haring was trying to achieve.
After the 80s excitement of this room we were faced with a choice. Turn right down a corridor lined with 70s porn done by some chick that was apparently famous in the adult industry in the 70s and 80s. Or go through a huge door marked ‘Over 18s only. Extremely explicit imagery.’ Quite a quandary. After walking through the door we were indeed faced with an explicit image. Imagine a woman being fucked by guy with her on top and bent forward slightly. Now imagine her buttocks pulled apart and the guys legs spread and you looking the insertion with your head about a foot away. The result is that you are limited to seeing half a penis in a vagina and a woman’s arsehole. Take a photo and blow it up to a huge size. I’m no prude but a lady’s puckered rectum a foot across is not that attractive. This was the first picture in Jeff Koon’s Made in Heaven room. Apparently he started to take photo’s of an Italian porn star called Cicciolina (whom I sadly had heard of), then photos of him having it away with her. Eventually he married her. Isn’t that romantic? Anyway, the whole room is full of pictures of him cumming on her and her ramming didlos up her orifices. In the middle is a statue of him boning her. I found the whole thing a bit pathetic to be honest. It just seemed like an exhibitionist that has found a way to make tons of cash without labeling it porn. It is the talk of the town but is curiously missing from a lot of reviews. Here’s about the only tasteful picture I feel like including:
Then back out and down the 70s porn corridor, which by this point actually seemed fairly artistic. Even though it was mostly just pictures from Razzle.
Then you enter the realm of the Brit artists who follow the whole ‘I’m a celebrity artist ethos’. Obviously the prime contenders were Damien Hirst and Tracy Emin. I find Tracey Emin annoying and not in the way she is trying so hard to be. Hirst’s stuff was ok to quite cool. The ok stuff:
The quite cool stuff:
I know it’s a pickled calf with gold shoes but I actually quite liked it.
The next room was by Rob Pruitt and Jack Early. There are a load of really cool Blaxploitation posters featuring people like Martin Luther King and NWA and so on. All with Jackson 5 music playing.
After that there was yet another controversial piece of art as it showed a collection of pictures of Hollywood actors in roles where they played Nazis. There were a lot of people standing around saying things like “in which film was Clint Eastwood a Nazi?” (or Harrison Ford or Richard Buton or Tom Cruise or Ralph Fiennes, etc) The controversy was pretty dumb in my opinion as none of the films were making the Nazis out to be good guys. Maybe I missed the point. As a collage though, I thought it was pretty impressive and mildly thought provoking.
The next couple of rooms were a bit unnecessary and shite in my opinion. One was a video of an artist called Andrea Fraser having really boring sex with an anonymous art collector on a video shot in a hotel room. The other was a stuffed horse with a sign that read INRI – apparently the sign that Pontius Pilate had hanging around his neck when he was killed. Which is just pretentious arty shit. One critic described this as ‘Flogging a dead horse’ which I found mildly amusing.
The final room was by Takashi Murakami and was brilliant. One wall was entirely dedicated to a colossal manga chick wandering down the technology and manga heaven of Tokyo’s Akihabara district. It was entitled: Giant Magical Princess! She’s Walking Down the Streets of Akihabara! (2009). In this room you learn all about how Murakami opened the Kaikai Kiki company where he effectively did a Japanese version of Warhol’s Factory. He churned out small manga toys which could be collected with gum in Japanese shops and did photography and videos of Japanese cosplay. Kaikai Kiki did something similar to Warhol in that it took in loads of aspiring artists and under Murakami’s supervision churned out art as business. There is even a music video featuring Kirsten Dunst as a hot manga vixen walking down the streets of Akihabara (like the mural) accompanied to a revamped version of The Vapours’ “Turning Japanese”. Loud and on a huge plasma tv. I loved this room. It was a great ‘cap’ to the earlier Warhol stuff and encapsulated what the whole exhibition was about.
This was a superb exhibition and I’m really glad I went. I came away with a greater admiration for Warhol and Murakami and a lot of the artists in between. Sure there were a lot of things I didn’t like or thought that the artists were just going for shock value, but as an exhibition charting ‘Pop Life’ and the mix of consumerism and money for art, it was fascinating. There was a lot more than I have mentioned but I though some of the highs and lows would suffice. A lot of thought had been put into this and overall the experience was a highly enjoyable one. Sadly it has finished now but if it goes on tour it is well worth checking out.
Next time I’ll try and review art before the exhibition shuts. Apologies.
I saw this the other day at the Wallace Collection. Which was a bit odd as I’m sure you’ll be aware if you have ever been to the Wallace Collection. The building is a couple of hundred years old and is full of old stuff. Old paintings, statues, suits of armor, antique guns and so on. Even the couches, fittings and banisters are ancient and frequently blocked off by red velvet rope. So it was a bit odd to turn a corner and leave a room filled with 17th Dutch masterpieces and see two long rooms filled with Hirst’s ‘Blue paintings’.
These paintings were done by Hirst himself! No assistants or anything. They are actual paintings too. I’ve never rated Damien Hirst much, so I thought I’d go and see what he’s like as a solitary painter.
To be honest, they were ok. That’s all. Sorry if you were expecting more depth but there you go. The blue skull at the top of this post was one of the better paintings. There were also three others that had a ghostly figure facing a kind of translucent blue forest that I particularly liked. The rest were just alright. There were strong hints of Francis Bacon but they were nowhere near his league.
So there you go. Fairly average would be my overall review. Some good bits but overall I left fairly underwhelmed. It was free and in a cool building I’d never visited before, so it was worth it.
This exhibition has finished now but the Wallace Collection is a brilliant place. I’d highly recommend it. There will be two big rooms with different stuff in it now as well.